Revolution Kid (Fox), 2012
Yinka Shonibare MBE, 'Paradise Beyond' at Gemeentemuseum, Helmond
20th September 2016 – 12th February 2017
The Gemeentemuseum in Helmond is delighted to announce a solo exhibition of works by Yinka Shonibare MBE.
Paradise Beyond will showcase a selection of sculpture, installation, collage, drawing, photography and film by Yinka Shonibare, from the period 2004 – 2016. Exploring themes of race, class and power, Shonibare's seductive and humorous work makes sensitive socio-cultural topics accessible to the audience.
The exhibition focuses on the repetition in historical cycles of wealth, conflict, revolution and war, in the ultimate quest for paradise. "Paradise Beyond" suggests that somewhere beyond the horizon lies paradise - but where and when this will be found remains uncertain.
Yinka Shonibare MBE is known for his use of colourful African batik fabric sourced from the Helmond-based Vlisco textile factory. The Vlisco patterns or imitation batik are inspired by Indonesian design and for several decades have been very popular in West Africa. Since the 1960s the fabrics have been used as a symbol of African identity and independence - which supports Shonibare’s motto: nothing is what it seems.
In connection with Shonibare's 'Paradise Beyond', Vlisco will also be exhibiting classic patterns, re-interpretations and new designs in the separate exhibition Un par Un. The exhibition focuses in on four specific aspects: the company’s history, production processes, design processes and the use of the fabrics in fashion and art. In this presentation, developed especially for Vlisco’s 170th anniversary, the emphasis will be on captivating the visual qualities of the fabrics and their powerful symbolism.
Nelson's Ship in a Bottle
Yinka Shonibare MBE at Yale Centre for British Art
Thursday, 1st September - Sunday, 11th December 2016
Yinka Shonibare is best known for his explorations of the legacies of colonialism through sculpture, installations, film, and photography. This display, which coincides with the Center’s exhibition Spreading Canvas: Eighteenth-Century British Marine Painting, will focus on Shonibare’s interest in the British historical figure Admiral Lord Nelson, whom he uses as an emblem of Britain’s imperial history. An important feature of Shonibare’s work is the consistent use of colorful, wax-printed cotton fabrics, which are associated with Africa but originated in Indonesia and Holland, a product of global trade and imperial markets. The fabric sums up the themes at the heart of Shonibare’s work.
Yinka Shonibare MBE will be curated by Martina Droth, Deputy Director of Research and Curator of Sculpture, Yale Center for British Art.
Bad School Boy 2014
Fibreglass mannequin, Dutch wax printed cotton textile, glass flask, stool, resin, globe and leather. 195 x 65 x 57cm. © 2010 Yinka Shonibare MBE
Making & Unmaking: An Exhibition Curated by Duro Olowu
19 June - 18 September, 2016
Making & Unmaking, curated by celebrated fashion designer and curator Duro Olowu.
Bringing together over sixty international artists working in diverse media, this exhibition places antique West African textiles and Bauhaus tapestries amongst contemporary works and new commissions. Individually, the works address themes that include portraiture as well as representations of beauty, gender, sexuality, innocence and the body. Collectively, their coming together reveals a common thread that Olowu describes as a ‘process of personal ritual experienced by artists in creating their work’.
Artists featured: Caroline Achaintre, Marina Adams, Leonce Raphael Agbodjelou, Anni Albers, Tasha Amini, Hurvin Anderson, Polly Apfelbaum, Tony Armstrong Jones, Emheyo Bahabba, Walead Beshty, Alighiero Boetti, Louise Bourgeois, Carol Bove, Lisa Brice, James Brown, Zoe Buckman, Claude Cahun, Lygia Clark, Céline Condorelli, Tommaso Corvi-Mora, Alexandre da Cunha, Andreas Eriksson, Meredith Frampton, Simon Fujiwara, Anya Gallaccio, Hassan Hajjaj, Chie Hammons, Sheila Hicks, Donna Huddleston, Diane Itter, Isaac Julien, Neil Kenlock, Fernand Léger, Eric Mack, Peter McDonald, Rodney McMillian, Hamidou Maiga, Ari Marcopoulos, Brice Marden, Wardell Milan, Mrinalini Mukherjee, Wangechi Mutu, Alice Neel, Nobukho Nqaba, Chris Ofili, Horace Ové CBE, Irving Penn, Tal R, Michael Roberts, Ibrahim El-Salahi, Yinka Shonibare MBE, Malick Sidibé, Lorna Simpson, Daniel Sinsel, Christiana Soulou, Dorothea Tanning, Henry Taylor, Bill Traylor, Francis Upritchard, Al Vandenberg, Brent Wadden, Grace Wales Bonner, Rebecca Ward, West African Textiles, Stanley Whitney, Kehinde Wiley, Masaaki Yamada, Lynette Yiadom-Boakye
Butterfly Kid (Boy), 2015
Fiberglass mannequin, Dutch wax printed cotton textile, silk, metal, globe, leather and steel baseplate 50 x 29 1/2 x 34 5/8 in © 2015, Yinka Shonibare MBE
Rotunda Projects: Yinka Shonibare MBE
Organised by the Memphis Brooks Museum of Art, courtesy of James Cohan Gallery
7th May - 6th November 2016
The inaugural exhibition for Rotunda Projects comprises four figures from Shonibare’s series Rage of the Ballet Gods. The figures will be on view in the museum’s rotunda from May 7th to November 6th, 2016, as part of the museum’s year-long centennial celebration.
The Rotunda Projects series will engage visitors with experimental, provocative, and compelling works in a variety of styles and employing diverse materials created by internationally recognized and emerging artists.
RA Family Album
Courtesy of Stephen Friedman Gallery, London and James Cohan Gallery, New York
Royal Academy Wrap
Digital print commissioned by Royal Academy of Arts
The Royal Academy of Arts is undergoing a transformative redevelopment by David Chipperfield Architects that will unite Burlington House on Piccadilly with 6 Burlington Gardens to the north. The Royal Academy will be opened as never before, creating a revitalised destination for artists and the public in the very heart of London, completed in time for our 250th anniversary in 2018. Across the site there will be new public areas, displays of our collection and more space for the RA Schools. Burlington Gardens will reopen with newdedicated spaces for exhibitions, new Learning facilities, and a double-height lecture theatre.
Royal Academician Yinka Shonibare MBE will create an art work for the scaffolding wrap which will shroud the façade of Burlington Gardens for the next 2 years while the building work is taking place. It will contribute an important temporary work of art to the neighbo§urhood of Mayfair that celebrates not just the Royal Academy but the importance of art and culture for everyone.
‘RA Family Album’ brings together over 150 photographs that span the Royal Academy’s 248-year history. The juxtaposition of images reveals the rich tapestry of activity which takes place behind these walls. From the renowned exhibitions, public debates, artists’ gatherings and stylish social events, to the more private making of art by Schools students and the skilled back of house operation, all give the place its life and vitality. This spread of images is topped by one of Shonibare’s signature colourful fabric designs, in this case of circles, selected as a sign of universal inclusiveness. From historic legacy to future possibilities, the work highlights the Royal Academy as a place for all.
The British Library
Hardback books, Dutch wax printed cotton textile, gold foiled names, five wooden chairs, five iPads, iPad stands, headphones, interactive Application and antique wind-up clock Dimensions: Variable © 2014 Yinka Shonibare MBE
End of Empire
Co-commision by 14 - 18 NOW and Turner Contemporary Margate.
22nd March - 30th October 2016
In a new commission, Yinka Shonibare, MBE, one of the leading artists at work in the UK, explores how the new alliances forged in the First World War changed British society forever and continue to affect us today.
Shonibare’s new work features two of his signature figures attired in African fabrics, their globe-heads highlighting the countries involved in WW1. Offering a metaphor for dialogue, balance and conflict, the entire work pivots almost imperceptibly in the gallery space, symbolising the possibility of compromise and resolution between two opposing forces.
How has immigration contributed to the British culture in which we live today? How have immigrants shaped what it means to be British? These are the questions Shonibare asks in The British Library, a sculptural work presented alongside End of Empire at Turner Contemporary. Shelves of books, many bearing the name of an immigrant who has enriched our society (from TS Eliot to Zaha Hadid), remind us that the displacement of communities by global war has consequences that inform our lives and attitudes today.
Nelsons Ship in Bottle
© 2010 Yinka Shonibare MBE
Yinka Shonibare MBE Nelson's Ship in a Bottle
Nelson's HMS Victory
'Nelson's Ship in a Bottle' originally debuted on the fourth plinth in Trafalgar Square and is now permantley on display at The Nation Maritime Museum in Greenwich.The work is an incredibly detailed, scaled-down replica of HMS Victory, on which Nelson died during the Battle of Trafalgar on 21 October 1805. It has 80 cannon and 37 sails set as on the day of battle. The fabrics used were inspired by Indonesian batik, mass-produced by Dutch traders and sold in West Africa.
Wind Sculpture Howick Place
© 2014 Yinka Shonibare MBE
Yinka Shonibare MBE Wind Sculpture
Commission for Howick Place
Wind Sculpture, a site specific commision, is permanently displayed as part of Howick Place in Victoria, London. Measuring 6 metres by 3 metres, the work explores the notion of harnessing movement, through the idea of capturing and freezing a volume of wind in a moment in time.
Globe Head Ballerina
2012 Yinka Shonibare MBE
Yinka Shonibare Globe Head Ballerina
Yinka Shonibare's Globe Head Ballerina modelled on The Royal Ballet's Melissa Hamilton.
Globe Head Ballerina is a piece of public sculpture which is currently on display on the side of the Royal Oprea House in Convent Garden. This piece is a life sized work based on a photograph of ballerina Margot Fonteyn.The costume is made of African Dutch wax fabric and the dancer has a Victorian-style globe as her head. Encased within a large snow globe style sphere the ballerina rotates on Pointe.
To look at previous exhibitions see Press