Smithsonian National Museum of African Art
Wind Sculpture VII
Wind Sculpture VII is the first sculpture installed permanently in front of the Smithsonian National Museum of African Art. This unique, gold-leaf version of Shonibare’s Wind Sculptures series evokes the sails of ships that have crossed the Atlantic and other oceans, connecting nations through the exchange of ideas, products, and people. In its form, it captures histories that can be inspiring or brutal, but always complex. It suggests that the opening of the seas led not only to the slave trade and colonization, but also to the dynamic contributions of Africans and African heritage worldwide. Using yellow, blue, rose, and gold, Shonibare celebrates the African men, women, and children who have shaped the United States, Great Britain, and other nations of today and for the future.
British Council unveils 'Wind Sculpture' by Yinka Shonibare MBE in Lagos, Nigeria
Tuesday 1 November 2016 to Tuesday 31 January 2017
This will be the first major Yinka Shonibare exhibition in Nigeria and will see an installation of his iconic Wind Sculpture at the Ndubuisi Kanu Park in Lagos.
The sculpture, made of batik design, echoes Shonibare's imaginative treatment of the sails on Nelson's Ship in a Bottle, his Fourth Plinth commission for Trafalgar Square which is permanently installed outside the National Maritime Museum, Greenwich.
Following the installation, there will be a lecture for Visual Arts students and film screenings which will take place at Ndubuisi Kanu Park.
Wind Sculpture will be installed from 1 November 2016 until 31 January 2017.
Revolution Kid (Fox), 2012
Yinka Shonibare MBE, 'Paradise Beyond' at Gemeentemuseum, Helmond
20th September 2016 – 12th February 2017
The Gemeentemuseum in Helmond is delighted to announce a solo exhibition of works by Yinka Shonibare MBE.
Paradise Beyond will showcase a selection of sculpture, installation, collage, drawing, photography and film by Yinka Shonibare, from the period 2004 – 2016. Exploring themes of race, class and power, Shonibare's seductive and humorous work makes sensitive socio-cultural topics accessible to the audience.
The exhibition focuses on the repetition in historical cycles of wealth, conflict, revolution and war, in the ultimate quest for paradise. "Paradise Beyond" suggests that somewhere beyond the horizon lies paradise - but where and when this will be found remains uncertain.
Yinka Shonibare MBE is known for his use of colourful African batik fabric sourced from the Helmond-based Vlisco textile factory. The Vlisco patterns or imitation batik are inspired by Indonesian design and for several decades have been very popular in West Africa. Since the 1960s the fabrics have been used as a symbol of African identity and independence - which supports Shonibare’s motto: nothing is what it seems.
In connection with Shonibare's 'Paradise Beyond', Vlisco will also be exhibiting classic patterns, re-interpretations and new designs in the separate exhibition Un par Un. The exhibition focuses in on four specific aspects: the company’s history, production processes, design processes and the use of the fabrics in fashion and art. In this presentation, developed especially for Vlisco’s 170th anniversary, the emphasis will be on captivating the visual qualities of the fabrics and their powerful symbolism.
RA Family Album
Courtesy of Stephen Friedman Gallery, London and James Cohan Gallery, New York
Royal Academy Wrap
Digital print commissioned by Royal Academy of Arts
The Royal Academy of Arts is undergoing a transformative redevelopment by David Chipperfield Architects that will unite Burlington House on Piccadilly with 6 Burlington Gardens to the north. The Royal Academy will be opened as never before, creating a revitalised destination for artists and the public in the very heart of London, completed in time for our 250th anniversary in 2018. Across the site there will be new public areas, displays of our collection and more space for the RA Schools. Burlington Gardens will reopen with newdedicated spaces for exhibitions, new Learning facilities, and a double-height lecture theatre.
Royal Academician Yinka Shonibare MBE will create an art work for the scaffolding wrap which will shroud the façade of Burlington Gardens for the next 2 years while the building work is taking place. It will contribute an important temporary work of art to the neighbo§urhood of Mayfair that celebrates not just the Royal Academy but the importance of art and culture for everyone.
‘RA Family Album’ brings together over 150 photographs that span the Royal Academy’s 248-year history. The juxtaposition of images reveals the rich tapestry of activity which takes place behind these walls. From the renowned exhibitions, public debates, artists’ gatherings and stylish social events, to the more private making of art by Schools students and the skilled back of house operation, all give the place its life and vitality. This spread of images is topped by one of Shonibare’s signature colourful fabric designs, in this case of circles, selected as a sign of universal inclusiveness. From historic legacy to future possibilities, the work highlights the Royal Academy as a place for all.
Nelsons Ship in Bottle
© 2010 Yinka Shonibare MBE
Yinka Shonibare MBE Nelson's Ship in a Bottle
Nelson's HMS Victory
'Nelson's Ship in a Bottle' originally debuted on the fourth plinth in Trafalgar Square and is now permantley on display at The Nation Maritime Museum in Greenwich.The work is an incredibly detailed, scaled-down replica of HMS Victory, on which Nelson died during the Battle of Trafalgar on 21 October 1805. It has 80 cannon and 37 sails set as on the day of battle. The fabrics used were inspired by Indonesian batik, mass-produced by Dutch traders and sold in West Africa.
Wind Sculpture Howick Place
© 2014 Yinka Shonibare MBE
Yinka Shonibare MBE Wind Sculpture
Commission for Howick Place
Wind Sculpture, a site specific commision, is permanently displayed as part of Howick Place in Victoria, London. Measuring 6 metres by 3 metres, the work explores the notion of harnessing movement, through the idea of capturing and freezing a volume of wind in a moment in time.
Globe Head Ballerina
2012 Yinka Shonibare MBE
Yinka Shonibare Globe Head Ballerina
Yinka Shonibare's Globe Head Ballerina modelled on The Royal Ballet's Melissa Hamilton.
Globe Head Ballerina is a piece of public sculpture which is currently on display on the side of the Royal Oprea House in Convent Garden. This piece is a life sized work based on a photograph of ballerina Margot Fonteyn.The costume is made of African Dutch wax fabric and the dancer has a Victorian-style globe as her head. Encased within a large snow globe style sphere the ballerina rotates on Pointe.
To look at previous exhibitions see Press